Courses
Interkulturelles Training. Werte und Besonderheiten der chinesischen Kultur.
(June 2013, Konfuzius Institute Heidelberg)
Young China: Exploring Urban Realities in Contemporary Chinese Filmmaking
(Seminar; Summerterm 2011, Heidelberg University)
Envisioning China: Medien, Theorien und Konzepte der (Selbst)Repräsentation China
(Seminar; Summerterm 2009, Vienna University)
Theories of Transculturality in China
(Seminar; Winterterm 2008/2009, Vienna University)
History of Taiwan Cinema
(Seminar; Summerterm 2008, Vienna University)
Chinese Cinema of the 1960s
(Seminar; Summerterm 2007, Vienna University)
PRC Theater during the Early Reform Period: The 1980s
(Proseminar; Summerterm 2007, Vienna University)
Artistic Experiments in Contemporary Chinese Cinema
(Seminar; Summerterm 2007, Karlsruhe University)
What is a Classical Chinese Movies? Exploring Examples since 1949
(Seminar; Summerterm 2007, Vienna University)
The Nationalisation of Chinese Cinema: Chinese Film in the 1950s
(Proseminar; Summerterm 2007, Vienna University)
Red Sorghum – Conception and Reception of a Classical Chinese Movie
(Seminar; Winterterm 2006/2007, Vienna University)
Chinese Film of the 1980s
(Proseminar; Winterterm 2006/2007, Vienna University)
Filmhistory of China: The 1950s
(Workshop; Winterterm 2006/2007, University for Television and Film, Munich)
Eating and Drinking, Men and Women and the Obsession with Food in Chinese Cinema
(Seminar; Summerterm 2006, Vienna University)
Chinese Filmhistory: 1930s to 1949
(Proseminar; Summerterm 2006, Vienna University)
Chinesische Cinema – A Success Story?
(Workshop; Winterterm 2005/2006, University for Television and Film, Munich)
Unity and Diversity: Tracing Chinese Cinema
(Workshop; November 20-21, 2005, Muthesius Kunsthochschule Kiel)
Heroes! or How History is at Work in Chinese Cinema(Proseminar, Winterterm 2005, Vienna University)
Between Art and Commerce: Chinese Cinema of the 1980s and 1990s
(Seminar; Summerterm 2005, Vienna University)
Literature und Film in China: An Unequal Relationship
(Proseminar; Summerterm 2005, Vienna University)
Conception of the Other: The Opiumwar between East and West
(Workshop; Winterterm 2004/05; Zürich University)
Chinese Filmhistory (Part I: 1896-1949)
(Workshop; Summerterm 2004; University for Television and Film, Munich)
What about Chinese Humor? Filmcomedy from Hong Kong, Taiwan and PR China
(Seminar; Summerterm 2004; Vienna University)
How Films “Write“ History: Exploring the “National” in Chinese Cinema
(Seminar; Winterterm 2003/04, Vienna University)
Cultural Desert Taiwan?
(Advanced Language Course; Summerterm 2003, Heidelberg University)
Source Materials for Modern Sinology
(Seminar; Summerterm 2003, Heidelberg University)
Is it modern to be modern? Debates and Programs of [Modernisation]
(Advanced Language Course; Winterterm 2002/03, Heidelberg University)
Chinese Filmhistory
(Seminar; Winterterm 2002/03, Heidelberg University)
Introduction to the Source Materials of Modern Sinology
(Seminar; Summerterm 2002, Heidelberg University)
Introduction to the Chinese Literature of the 20th Century
(Seminar; Summerterm 2002, Heidelberg University)
Modern Chinese History: An Introduction
(Internetcourse; Programming Summerterm 2000, Heidelberg University)
A Thief in Dark Night
(Advanced Language Drama Course; premiered at July 12th 1998, Heidelberg University)