Ruprecht-Karls-Universität Heidelberg

Courses


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Interkulturelles Training. Werte und Besonderheiten der chinesischen Kultur.

(June 2013, Konfuzius Institute Heidelberg)

Young China: Exploring Urban Realities in Contemporary Chinese Filmmaking

(Seminar; Summerterm 2011, Heidelberg University)

Envisioning China: Medien, Theorien und Konzepte der (Selbst)Repräsentation China

(Seminar; Summerterm 2009, Vienna University)

Theories of Transculturality in China

(Seminar; Winterterm 2008/2009, Vienna University)

History of Taiwan Cinema

(Seminar; Summerterm 2008, Vienna University)

Chinese Cinema of the 1960s

(Seminar; Summerterm 2007, Vienna University)

PRC Theater during the Early Reform Period: The 1980s

(Proseminar; Summerterm 2007, Vienna University)

Artistic Experiments in Contemporary Chinese Cinema

(Seminar; Summerterm 2007, Karlsruhe University)

What is a Classical Chinese Movies? Exploring Examples since 1949

(Seminar; Summerterm 2007, Vienna University)

The Nationalisation of Chinese Cinema: Chinese Film in the 1950s

(Proseminar; Summerterm 2007, Vienna University)

Red Sorghum – Conception and Reception of a Classical Chinese Movie

(Seminar; Winterterm 2006/2007, Vienna University)

Chinese Film of the 1980s

(Proseminar; Winterterm 2006/2007, Vienna University)

Filmhistory of China: The 1950s

(Workshop; Winterterm 2006/2007, University for Television and Film, Munich)

Eating and Drinking, Men and Women and the Obsession with Food in Chinese Cinema

(Seminar; Summerterm 2006, Vienna University)

Chinese Filmhistory: 1930s to 1949

(Proseminar; Summerterm 2006, Vienna University)

Chinesische Cinema – A Success Story?

(Workshop; Winterterm 2005/2006, University for Television and Film, Munich)

Unity and Diversity: Tracing Chinese Cinema

(Workshop; November 20-21, 2005, Muthesius Kunsthochschule Kiel)

Heroes! or How History is at Work in Chinese Cinema

(Proseminar, Winterterm 2005, Vienna University)

Between Art and Commerce: Chinese Cinema of the 1980s and 1990s

(Seminar; Summerterm 2005, Vienna University)

Literature und Film in China: An Unequal Relationship

(Proseminar; Summerterm 2005, Vienna University)

Conception of the Other: The Opiumwar between East and West

(Workshop; Winterterm 2004/05; Zürich University)

Chinese Filmhistory (Part I: 1896-1949)

(Workshop; Summerterm 2004; University for Television and Film, Munich)

What about Chinese Humor? Filmcomedy from Hong Kong, Taiwan and PR China

(Seminar; Summerterm 2004; Vienna University) 

How Films “Write“ History: Exploring the “National” in Chinese Cinema

(Seminar; Winterterm 2003/04, Vienna University)

Cultural Desert Taiwan?

(Advanced Language Course; Summerterm 2003, Heidelberg University)

Source Materials for Modern Sinology

(Seminar; Summerterm 2003, Heidelberg University)

Is it modern to be modern? Debates and Programs of [Modernisation]

(Advanced Language Course; Winterterm 2002/03, Heidelberg University)

Chinese Filmhistory

(Seminar; Winterterm 2002/03, Heidelberg University)

Introduction to the Source Materials of Modern Sinology

(Seminar; Summerterm 2002, Heidelberg University)

Introduction to the Chinese Literature of the 20th Century

(Seminar; Summerterm 2002, Heidelberg University)

Modern Chinese History: An Introduction

(Internetcourse; Programming Summerterm 2000, Heidelberg University)

A Thief in Dark Night

(Advanced Language Drama Course; premiered at July 12th 1998, Heidelberg University)

 

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